DRAWINGS
The drawings work in parallel to Harry's larger photographic works. In their simple gestural form they are very much the opposite of Harry’s big 10x8 inch camera with all its detail.
It's strong capacity to render the totality of visual information of a place allows every single detail to be shown with no abstraction. His drawings of the salt marsh where he lives on the other hand explore the opportunities of minimal information, where gesture, tone, colour and often singe line are used to represent the fundamental elements of this dynamic landscape.
It's strong capacity to render the totality of visual information of a place allows every single detail to be shown with no abstraction. His drawings of the salt marsh where he lives on the other hand explore the opportunities of minimal information, where gesture, tone, colour and often singe line are used to represent the fundamental elements of this dynamic landscape.
